Maria Eichhorn

Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia

Venice, Italy

April 23 – November 27, 2022

“The title of Maria Eichhorn’s project, Relocating a Structure, can be interpreted in a figurative sense. ‘Relocating a structure’ to a new context may refer not only to the architecture and history of the German Pavilion, but also to fundamental issues of human existence and ethical responsibility.“

–Yilmaz Dziewior
Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Foundations of the rear wall from 1909; rear wall of the building from 1909, interior wall from 1938, demolished in 1964; wall lettering; chimney from an earlier building (undated); doorway to the right side room from 1909, walled up in 1912, exhibition view, © Maria Eichhorn / VG Bild-Kunst, Bonn 2022, photo: Jens Ziehe

Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Foundations of the rear wall from 1909; rear wall of the building from 1909, interior wall from 1938, demolished in 1964; wall lettering; chimney from an earlier building (undated); doorway to the right side room from 1909, walled up in 1912, exhibition view, © Maria Eichhorn / VG Bild-Kunst, Bonn 2022, photo: Jens Ziehe

Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Join between sections of the building from 1909 and 1938; wall lettering; doorwayto the left front side room from 1909, walled up in 1938; doorway to the left rear side room from 1909, walledup in 1928; foundations of the rear wall from 1909; rear wall of the building from 1909, interior wall from 1938, demolished in 1964, exhibition view, © Maria Eichhorn / VG Bild-Kunst, Bonn 2022, photo: Jens Ziehe

Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Join between sections of the building from 1909 and 1938; wall lettering; doorway
to the left front side room from 1909, walled up in 1938; doorway to the left rear side room from 1909, walled
up in 1928; foundations of the rear wall from 1909; rear wall of the building from 1909, interior wall from 1938, demolished in 1964, exhibition view, © Maria Eichhorn / VG Bild-Kunst, Bonn 2022, photo: Jens Ziehe

Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Wall lettering; doorway to the main space from 1909, walled up in 1912, reopened in 1928, walled up in 1938; doorway to the left front side room from 1909, walled up in 1938; wall from 1909 between two side rooms, demolished in 1938; doorway to the left rear side room from 1909, walled up in 1928; doorway to the main space from 1909, walled up in 1912, exhibition view, © Maria Eichhorn / VG Bild-Kunst, Bonn 2022, photo: Jens Ziehe

Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Wall lettering; doorway to the main space from 1909, walled up in 1912, reopened in 1928, walled up in 1938; doorway to the left front side room from 1909, walled up in 1938; wall from 1909 between two side rooms, demolished in 1938; doorway to the left rear side room from 1909, walled up in 1928; doorway to the main space from 1909, walled up in 1912, exhibition view, © Maria Eichhorn / VG Bild-Kunst, Bonn 2022, photo: Jens Ziehe

Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Rear wall of the building from 1909, plastered as an interior wall in 1938; join between sections of the building from 1909 and 1938; wall lettering; doorway to the left front side room from 1909, walled up in 1938; doorway to the left rear side room from 1909, walled up in 1928; rear wall of the building from 1909, interior wall from 1938, demolished in 1964; foundations of the rear wall from 1909, exhibition view, © Maria Eichhorn / VG Bild-Kunst, Bonn 2022, photo: Jens Ziehe

Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Rear wall of the building from 1909, plastered as an interior wall in 1938; join between sections of the building from 1909 and 1938; wall lettering; doorway to the left front side room from 1909, walled up in 1938; doorway to the left rear side room from 1909, walled up in 1928; rear wall of the building from 1909, interior wall from 1938, demolished in 1964; foundations of the rear wall from 1909, exhibition view, © Maria Eichhorn / VG Bild-Kunst, Bonn 2022, photo: Jens Ziehe

Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Doorway to the main space from 1909, walled up in 1938; wall lettering, exhibition view, © Maria Eichhorn / VG Bild-Kunst, Bonn 2022, photo: Jens Ziehe

Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Doorway to the main space from 1909, walled up in 1938; wall lettering, exhibition view, © Maria Eichhorn / VG Bild-Kunst, Bonn 2022, photo: Jens Ziehe

Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Doorway to the left rear side room from 1909, walled up in 1928; foundations of the rear wall from 1909; join between sections of the building from 1909 and 1938; rear wall of the building from 1909, interior wall from 1938, demolished in 1964; wall lettering; doorway to the right side room from 1909, walled up in 1912, exhibition view, © Maria Eichhorn / VG Bild- Kunst, Bonn 2022, photo: Jens Ziehe

Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Doorway to the left rear side room from 1909, walled up in 1928; foundations of the rear wall from 1909; join between sections of the building from 1909 and 1938; rear wall of the building from 1909, interior wall from 1938, demolished in 1964; wall lettering; doorway to the right side room from 1909, walled up in 1912, exhibition view, © Maria Eichhorn / VG Bild- Kunst, Bonn 2022, photo: Jens Ziehe

Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Joins between sections of the building from 1909 and 1938; wall lettering; doorway to the left rear side room from 1909, walled up in 1928; foundations of the rear wall from 1909; rear wall of the building from 1909, interior wall from 1938, demolished in 1964; doorway to the right side room from 1909, walled up in 1912, exhibition view, © Maria Eichhorn / VG Bild- Kunst, Bonn 2022, photo: Jens Ziehe

Maria Eichhorn, Relocating a Structure. German Pavilion 2022, 59th International Art Exhibition – La Biennale di Venezia, 2022, detail: Joins between sections of the building from 1909 and 1938; wall lettering; doorway to the left rear side room from 1909, walled up in 1928; foundations of the rear wall from 1909; rear wall of the building from 1909, interior wall from 1938, demolished in 1964; doorway to the right side room from 1909, walled up in 1912, exhibition view, © Maria Eichhorn / VG Bild- Kunst, Bonn 2022, photo: Jens Ziehe