John Miller
John Miller
Am Seegarten
Kirchmöser
July 1 – September 17, 2023
John Miller
John Miller - An Elixir of Immortality
Schinkel Pavillon, Berlin, Germany
June 6 – December 13, 2020
John Miller
Other Subjectivities
September 7 – October 12, 2019
John Miller
Comedy of Manners
Museum im Bellpark, Kriens, Switzerland
December 1 – 10, 2018
John Miller
The Insanity of Place
June 25 – August 5, 2017
John Miller
John Miller: I Stand, I Fall
ICA Miami, Miami, USA
February 18 – June 12, 2016
John Miller
The Totality of All Things as They Actually Exist
Zimmerstrasse 88–89, 10117 Berlin
May 1 – June 5, 2010
John Miller
Kunsthalle Zürich, Zurich, Switzerland
August 29 – November 15, 2009
John Miller
The Middle of the Day
Zimmerstrasse 88–89, 10117 Berlin
July 2 – August 20, 2005
John Miller
Double Date
Zimmerstrasse 88–91, 10117 Berlin
June 30 – August 11, 2001
John Miller
Pillars of Salt
Potsdamer Strasse 93, 1000 Berlin 30
July 3 – August 14, 1999
John Miller
Hommage an Karl May
Potsdamer Strasse 93, 10785 Berlin
August 24 – September 21, 1996
Publications:
John Miller
John Miller: I Stand I Fall
Institute of Contemporary Art, Miami and Koenig Books, London
2016
978-3-96098-050-6
John Miller
A Refusal to Accept Limits
JRP | Ringier, Switzerland
2010
ISBN: 978-3-03764-032-6
John Miller
Economies Paralleles/Parallel Economies
Le Magasin, Grenoble
1999
ISBN: 978-2906732636
John Miller
Rock Sucks, Disco Sucks
daadgalerie, Berlin
1992
ISBN: 3-89357-035-7
CV
Solo exhibitions
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2023
- Last Words (with Richard Hoeck), Magazin 4, Bregenz, Austria
- New Horizon, Meliksetian Briggs Gallery, Dallas, Texas, USA
- Imaginary Interventions, Various Small Fires, Seoul, Korea
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2022
- Think, and then think again (with Gina Folly), Sgomento, Zurich, Switzerland
- Civic Center, Maxwell Graham / Essex Street, New York, USA
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2021
- Öffentlichkeit/Gegenöffentlichkeit, Kunsthalle Bielefeld, Bielefeld, Germany
- Egocentric Preserves, Galerie Johann Widauer, Innsbruck, Austria
- The Right Not to be Stared At or Examined, Praz-Delavallade, Los Angeles, USA
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2020
- John Miller – An Elixir of Immortality, Schinkel Pavillon, Berlin, Germany
- John Miller, Metro Pictures, New York, USA
- Poverty, National Exemplar, Iowa City, USA
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2019
- Other Subjectivities, Galerie Barbara Weiss in cooperation with Meyer Riegger, Berlin, Germany
- Nina Beier & John Miller: A True Mirror, Hunt Kastner, Prague, Czech Republic
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2018
- Comedy of Manners, Museum im Bellpark, Kriens, Switzerland
- Wintry Mix, (with Nina Beier), 80WSE, New York, USA
- Plus One, (with Megan Plunkett), Shoot the Lobster, New York, USA
- Social Portraits, Einstein Forum, Potsdam, Germany
- The End of History, Meliksetian Briggs, Los Angeles, USA
- Early Drawings, The National Exemplar, New York, USA
- Aura Rosenberg & John Miller: Almost There, Teen Party, New York, USA
- Living with Contradictions, (with Marcia Schvartz), The National Exemplar, New York, USA
- Mark Dion & John Miller, Galerie Nagel Draxler, Berlin, Germa
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2017
- Walking in the City, Praz Delavallade, Paris, France
- The Insanity of Place, Galerie Barbara Weiss, Berlin, Germany
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2016
- Mannequin Death (with Richard Hoeck), Meliksetian Briggs, Los Angeles, USA
- The Dark Ages, Studio for Propositional Cinema, Dusseldorf, Germany
- Paintings from the early 80’s to the present, Meyer Riegger, Karlsruhe, Germany
- Mannequin Death (with Richard Hoeck), Metro Pictures, New York, USA
- Hard Hat / Soft Hard Hat & Mannequin Death, Galerie Marc Jancou, Geneva, Switzerland
- John Miller: I Stand, I Fall, ICA Miami, Miami, USA
- Sex Appeal of the Inorganic, Galerie Johann Widauer, Innsbruck, Austria
- Relations in Public, Richard Telles Fine Art, Los Angeles, USA
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2015
- John Miller und Dominik Sittig, Galerie Nagel Draxler, Köln, Germany
- Counterpublics, Campoli Presti, London, United Kingdom
- Mannequin Death (with Richard Hoeck), Offsite Rossinière and Galerie Marc Jancou, Geneva, Switzerland
- Open to All Ages and Ethnicities (with Takuji Kogo),Neuer Berliner Kunstverein, Berlin, Germany
- Here in the Real World, Mary Boone Gallery, New York, USA
- Here in the Real World, Metro Pictures, New York, USA
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2014
- Do it again!, Meliksetian | Briggs, Los Angeles, USA
- A Moveable Feast – Part XIII, Campoli Presti, Paris, France
- Our Shadowless Universe (with Anna Rosen), Malraux's Place, New York, USA
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2013
- The Angel of History (with Aura Rosenberg), 3A Gallery, New York, USA and Meyer Riegger, Karlsruhe, Germany
- John Miller. Social Portraits, Galerie Meyer Riegger, Karlsruhe, Germany
- Subjective Monuments, Marc Jancou Contemporary, Geneva, Switzerland
- The Middle of the Day, Shoot The Lobster, New York, USA
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2012
- The Petrified Forest, Praz-Delavallade, Paris, France
- New Realities, Patrick Painter Inc., East Gallery, Santa Monica, USA
- John Miller – Suburban Past Time, Metro Pictures, New York, USA
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2011
- John Miller. Wolfgang-Hahn-Preis 2011, Museum Ludwig, Cologne, Germany
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2010
- The Totality of All Things as They Actually Exist, Galerie Barbara Weiss, Berlin, Germany
- Dan Graham. John Miller, Galerie Christine Mayer, München, Germany
- Richard Hoeck. John Miller – Grotesque, Galerie Johann Widauer, Innsbruck, Austria
- John Miller, A Holiday in Other People’s Mistery, Galerie Christian Nagel, Cologne, Germany
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2009
- John Miller, Kunsthalle Zürich, Zurich, Switzerland
- John Miller, Patrick Painter Gallery, Los Angeles, USA
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2008
- John Miller, Sutton Lane, London, Untited Kingdom
- John Miller, Meyer Riegger, Karlsruhe, Germany
- 11 Sessions, (with Karin Schneider und Matt Keegan), Orchard 47, New York, USA
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2007
- Back to the Garden, Galerie Praz-Delavallade, Paris, France
- The New Honeymooners, Metro Pictures, New York und Friedrich Petzel Gallery, New York, USA
- The Middle of The Day, (online), Jeffrey Charles/Henry Peacock
- The Office Party and the Communist Party, Schuermann Berlin, Berlin, Germany
- John Miller, Michael Hall Contemporary Art, Vienna, Austria
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2006
- Something for Everyone, (with Richard Hoeck), Jeffrey Charles/Henry Peacock, London, United Kingdom
- Total Transperancy, Metro Pictures, New York, USA
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2005
- The Middle of the Day, Galerie Barbara Weiss, Berlin, Germany
- John Miller, Mai-Thu Perret, Galerie Praz-Delavallade, Paris, France
- Something for Everyone, (with Richard Hoeck), Engholm Engelhorn Galerie, Vienna, Galerie Hans Widauer, Innsbruck; (CAC TV), Contemporary Art Center, Vilnius, Lithuania
- Plakat , (poster project with Richard Hoeck), Kunstraum Innsbruck, Innsbruck, Austria
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2004
- Everything is painted brown, Metro Pictures, New York, USA
- Total Transparency, Richard Telles Fine Art, Los Angeles, USA
- 493 KB from the Administered World, Jeffrey Charles Gallery, London, United Kingdom
- Le milieu du jour, 1994–2004, Cabinet des Estampes du Musée d’art et d'histoire, Geneva, Switzerland
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2003
- Ich (36/175/74), Meyer Riegger Galerie, Karlsruhe, Germany
- Everything Is You, Galerie Praz-Delavallade, Paris, France
- A Mutually Beneficial Encounter, Galerie Christian Nagel, Cologne, Germany
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2002
- Screen Memories, Einstein Forum, Potsdam, Germany
- Topographie für ein Museum (Ohne Wände), Johann Widauer, Innsbruck, Austria
-
2001
- Double Date, Galerie Barbara Weiss, Berlin, Germany
- Deliveries in Rear, Tiroler Sparkasse, Innsbruck, Austria
-
2000
- Consolation Prize, (with Mike Kelley), The Belkin Gallery; University of British Columbia, Vancouver, Canada
- Pilot, Richard Telles Fine Arts, Los Angeles, USA
- Middle Of The Day, Galerie Art & Public, Geneva, Switzerland
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1999
- Pillars of Salt, Galerie Barbara Weiss, Berlin, Germany
- Parallel Economies, Magasin, Centre National d’Art Contemporain de Grenoble, Grenoble, France; Kunstverein Hamburg, Hamburg, Germany
- Hard Hat, (with Richard Hoeck), Kunst-Werke, Berlin, Germany
- No Place to Hang Your Hat , (with Richard Hoeck), Kunstraum Hans Widauer, Innsbruck, Austria; Turin Biennale, Turin, Italy
- The Lugubrious Game, Meyer Riegger Galerie, Karlsruhe, Germany
- Opposite Day, Metro Pictures, New York, USA
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1998
- For the Good Times, Richard Telles Fine Arts, Los Angeles, USA
- Low Noon, (with Richard Hoeck), Galerie & Edition Artelier, Graz, Austria
- Kunst ohne Unikat, Steirischer Herbst, Neue Galerie Graz; Foundation Calouste Gulbenkian, Lisbon, Portugal
- White Studies, Kunsthalle Wien (with Richard Hoeck); Vorarlberger Kunstverein, Bregenz, Austria
- Alive with Pleasure, (digital projections), Candy Factory, Yokohama, Japan
- Paintings and Sculptures, P.S.1, Long Island City, New York, USA
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1997
- John Miller, Metro Pictures, New York, USA
- A Trail of Ambiguous Picture Postcards, CCA Kitakyushu Project Gallery, Kitakyushu, Japan
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1996
- Hommage an Karl May, Galerie Barbara Weiss, Berlin, Germany
- The Middle of the Day, Richard Telles Fine Arts, Le Consortium, Dijon, France; Kunstbüro, Museum für Literatur am Oberhrein, Karlsruhe, Germany
- Field Manual for a Tautology, Galerie Thomas Riegger, Karlsruhe, Germany
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1995
- The Middle of the Day, Galerie Barbara Weiss, Berlin, Germany
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1994
- Wind from the East, Richard Telles Fine Art, Los Angeles, USA
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1993
- The Long March, the Narrow Road, Metro Pictures, New York, USA
- John Miller, Art & Public, Geneva, Switzerland
- John Miller, (together with Michael Jenkins), Galerie Rizzo, Paris, France
- John Miller, Museum Robert Walser, Hotel Krone, Gais, Switzerland
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1992
- Rock Sucks/Disko Sucks, DAAD Galerie, Berlin, Germany
- John Miller, Bruno Brunnet Fine Arts, Berlin, Germany
- John Miller, Laboratorium Gallery, Center for Contemporary Art, Ujazdowski Castle, Warsaw, Poland
- John Miller, Roy Boyd Gallery, Los Angeles, USA
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1991
- John Miller, Roy Boyd Gallery, Los Angeles, USA
- John Miller, Andrea Rosen Gallery, New York, USA
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1990
- John Miller, Galerie Isabella Kacprzak, Cologne, Germany
- John Miller, Standard Graphik, Cologne, Germany
- …But the Flesh Is Week, Metro Pictures, New York, USA
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1988
- John Miller, Metro Pictures, New York, USA
- John Miller, (together with Jennifer Bolande), Galerie Sophia Ungers, Cologne, Germany
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1987
- John Miller, American Fine Arts Co., New York, USA
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1986
- John Miller, Metro Pictures, New York, USA
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1985
- John Miller, (together with Mike Kelley), Metro Pictures, New York, USA
- John Miller, Rosamund Felsen, Los Angeles, USA
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1984
- John Miller, Metro Pictures, New York, USA
- John Miller, Rosamund Felsen, Los Angeles, USA
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1983
- Recent Work, The Kitchen, New York, USA
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1982
- John Miller, White Columns, New York, USA
Group exhibitions
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2023
- City Scenes: Video Art from the Collections of n.b.k. and EAI, Goethe Institut New York, New York City, USA
- Am Seegarten, Kirchmöser, Germany
- In Prima Persona Plurale, MACRO – Museum of Contemporary Art of Rome, Rome, Italy
- The Metropol Drama, Smart Museum of Art, University of Chicago, Chicago, USA
- Pictures & After, MAMCO – Musée d'art Moderne et Contemporain, Geneva, Switzerland
- Future Shock, Lisson Gallery, New York, USA
- Toxic, Tiroler Landesmuseum Ferdinandeum, Innsbruck, Austria
- The John Waters Collection, Baltimore Museum of Art, Baltimore, USA
- How to Move and Respond, Haus am Waldsee, Berlin, Germany
- Candy Factory Presents 2023, Overground, Fukuoka, Japan
- Galerie Johann Widauer, Innsbruck, Austria
- TEASER II: Mises en scène, FMAC - Fonds Municipal d'Art Contemporain, Geneva, Switzerland
- Ridiculously Yours, Art, Awkwardness and Enthusiasm, Halle für Kunst, Steiermark, Graz, Austria
- Singular Views: 25 Artists, Rubell Museum DC, Washington, D.C., USA
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2022
- Broken Music Vol. 2 | 70 Years of Records and Sound Works by Artists, Hamburger Bahnhof, Berlin, Germany
- Coming Attractions: The John Waters Collection, The Baltimore Museum of Art, Baltimore, USA
- MIRROR MIRROR - Fashion & the Psyche, MoMu, Antwerp, Belgium
- Warhol, People, and Things, Casa Sao Roque – Art Center, Porto, Portugal
- Strange Attractors. The Anthology of Interplanetary Folk Art, APALAZZO GALLERY, Brescia, Italy
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2021
- Stars Down to Earth, Galerie Barbara Weiss, Berlin, Germany
- Inventaire, MAMCO, Geneva, Switzerland
- Autohaus St. Marx, Neuer Kunstverein Wien, Vienna, Austria
- Paint It Black, Galerie Meyer Riegger, Berlin, Germany
- Paradis, Maison R&C, Marseilles, France
- Collectivity, Aye Aye, Copenhagen, Denmark
- Glitter 2: posters by and for artist-bands and artists, who work with sound and music, Fluc, Vienna
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2020
- The Practice of Everyday Life, Meliksetian | Briggs, Los Angeles, USA
- Fermée – Milléniales. Peintures 2000 – 2020, Frac Nouvelle-Aquitaine MÉCA, Bordeaux, France
- Collection Highlights, Rubell Museum, Miami, USA
- Window Shopping, Gabriele Senn Gallery, Vienna, Austria
- Ride off like a cowboy into the sunset, Aguirre, Mexico City, Mexico
- Means to an End, Meyer Riegger Galerie, Berlin, Germany
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2019
- Wo Kunst geschehen kann - Die frühen Jahre des CalArts, Kestnergesellschaft, Hannover, Germany
- Come together, Meyer Riegger, Berlin, Germany
- Absolute Thresholds, Galerie Francesca Pia, Zurich, Switzerland
- Affective Affinities - 33rd Bienal de São Paulo, Palacio Anchieta, Vitoria, Brazil; SESC, São José do Rio Preto, Brazil;Fundação Iberê Camargo, Porto Alegre, Brazil
- Mercury, Tallinn Art Hall, Tallinn, Estonia
- 25 Years Galerie der Stadt Schwaz, Galerie der Stadt Schwaz, Schwaz, Austria
- Terms and Conditions: A Sonata for Two Women, Prosjektrom Normanns, Stavanger, Norway
- Inaugural Exhibition, Rubell Museum, Miami, USA
- Le Magasin, Unit 5, Galerie Praz-Delavallade, Los Angeles, USA
- A True Mirror, Galerie Hunt Kastner, Prague, Czech Republic
- Artists Use Photography, Galerie Praz-Delavallade, Los Angeles, USA
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2018
- (K)ein zweites Ich. Freundschaft zwischen geschäftlichem Kalkül und innigem Gefühl, Einstein Forum, Potsdam, Germany
- Everything Is Connected: Art and Conspiracy, Met Breuer, Metropolitan Museum, New York, USA
- Elevations, Galerie Emanuel Layr, Vienna, Austria
- Affective Affinities: To Our Parents, 33rd Bienal de São Paulo, São Paulo, Brazil
- John Miller, Judith Hopf, Trevor Paglen, Nina Beier, Halsey McKay Gallery, East Hampton, New York, USA
- The Conditions of Being Art: Pat Hearn Gallery & American Fine Arts, Co. (1983-2004), CCS Bard Hessel Museum of Art, Annandale-on-Hudson, New York, USA
- At Loose Ends of the Loss, Galerie Nagel Draxler, Berlin, Germany
- Von fremden Ländern in eigenen Städten, Markus Ambach Projekte, Dusseldorf, Germany
- UNKLARHEIT IST DIE NEUE GEWISSHEIT, UNENTSCHIEDENHEIT DAS NEUE URTEIL (with Richard Hoeck), Spike, Berlin, Germany
- Kein Schmerz, kein Gedanke!, Galerie Christine Mayer, Munich, Germany
- Every Day Is a Good Day, Magazin 4, Bregenz, Austria
- Ein Brunner Lienz – Alto Adige, Büro Weltausstellung, Vienna Art Foundation, Vienna, Austria
- Unforgettable Meeting, Victoria Art Gallery, Samara, Russia
- Matthew Barney, Steve Di Benedetto, John Miller – Chhunks, The National Exemplar Gallery, New York, USA
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2017
- And Then There Were None, Meyer Riegger, Karlsruhe, Germany
- Strange Attractors (with Richard Heck), Redling Fine Art, Los Angeles, USA
- In Relation to to a Spectator, Kestner Gesellschaft, Hannover, Germany
- EXO EMO, Greene Naftali, New York, USA
- After the Fact, Propaganda in the 21st Century, Lenbachhaus, Munich, Germany
- Cyborg Dreams (with Takuji Kogo), 83 Pitt Street, New York, USA
- Zeitgeist, MAMCO, Geneva, Switzerland
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2016
- Montage, Off Vendome, New York, USA
- The Power and the Glory, Charles Riva Collection, Brussels, Belgium
- Cause the Grass Don’t Grow and the Sky Ain’t Blue, Galerie Praz-Delavallade, Paris, France
- Co-thinkers, Garage Museum of Contemporary Art, Moscow, Russia
- Golden Eggs, Team Gallery, New York, USA
- Painting 2.0: Expression in the Information Age, Mumok, Vienna, Austria
- Pièces-Meublées, Galerie Patrick Seguin, Paris, France
- KKK Nr. 7, Paraphrase, Galerie Konzett, Vienna, Austria
- Hermann tritt schüchtern herein, Meyer Riegger, Berlin, Germany
- TransArt Triennial Berlin: Processed Being: an Exploration of Intersubjectivity Authorship and Geography, Berlin, Germany
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2015
- Painting 2.0: Expression in the Information Age,Museum Brandhorst, Munich, Germany
- Sylvia Bataille, JOAN, Los Angeles, USA
- John Miller und Dominik Sittig, Galerie Nagel Draxler, Cologne, Germany
- Gjon Mili International Photography Exhibition, National Gallery of Kosovo, Pristina, Kosovo
- Open to All Ages and Ethnicities - John Miller and Takuji Kogo, Neuer Berliner Kunstverein, Berlin, Germany
- 1989, Galerie Barbara Weiss, Berlin, Germany
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2014
- John Miller and Anna Rosen: Our Shadowless Universe, Malraux's Place, New York, USA
- Frank Lutz, John Miller, Aura Rosenberg - Lost Monuments, Studio for Propositional Cinema, Dusseldorf, Germany
- GOLD, Bass Museum of Art, Miami, USA
- "B1|A40 Die Schönheit der großen Straße" Ein Ausstellungspojekt entlang der A40 von Duisburg bis Dortmund, Urbane Künste Ruhr und MAP Markus Ambach Projekte, Bochum/Dusseldorf, Germany
- The Human Factor, Hayward Gallery, London, United Kingdom
- „John Miller, Olaf Breuning, Tony Matelli“, Gary Tatintsian Gallery, Moscow, Russia
- Take it or Leave it: Institution, Image, Ideology, Hammer Museum, Los Angeles, USA
- No Games Inside the Labyrinth, Galerie Barbara Weiss, Berlin, Germany
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2013
- A drawing that illustrates my last show at Meyer Riegger Karlsruhe, Meyer Riegger, Karlsruhe, Germany
- The Angel of History. Aura Rosenberg and John Miller, 3A Gallery, New York, USA
- Painting forever, KW Institute for Contemporary Art, Berlin, Germany
- EXPO 1: New York, MoMA PS1, Long Island City, New York, USA
- Road Atlas. Straßenfotografie aus der DZ BANK Kunstsammlung, Art Foyer DZ Bank Kunstsammlung, Frankfurt am Main, Germany
- Empire State,Palazzo della Esposizioni, Rome, Italy
- NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York, USA
- White Petals Surround Your Yellow Heart, Institute of Contemporary Art, University of Pennsylvania Philadelphia, USA
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2012
- Candy Factory Projects: Kitakyushu Biennial World Tour 1, The Private Museum, Singapore, Singapore
- Sound Quality, Grey Area, New York, USA
- Panegyric, Forde Gallerie, Geneva, Switzerland
- Standard Operating Procedure, Blum & Poe, Los Angeles, USA
- Drawing show, Galerie Micheline Szwajcer, Antwerp, Netherlands
- Creature from the Blue Lagoon, Martos Gallery (summer location), Bridgehampton, New York, USA
- KEINE ZEIT, Erschöpftes Selbst/Entgrenztes Können, Österreichische Galerie Belvedere, 21er Haus, Vienna, Austria
- These Transitional Spaces, Franklin Street Works, Stamford, Connecticut, USA
- Screening, Real Fine Arts, Brooklyn, New York, USA
- Imaginez l’Imaginaire, Palais de Tokyo, Paris, France
- The Mirror of Narcissus: From Mythological Demigod to Mass Phenomenon, Galerie im Taxispalais, Innsbruck, Austria
- Shake ’N’ Bake, Praz-Delavallade, Paris, France
- Road Atlas. Straßenfotografie aus der DZ BANK Kunstsammlung, Kunstmuseum Cottbus, Cottbus, Germany
- Fliegen/Flying, Showroom of the Künstlerhaus Bethanien, Berlin, Germany
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2011
- process time, Galerie Meyer Riegger, Berlin, Germany
- Kitakyushu Biennal 2011, Klatkyushu, Japan
- Inside/Outside: Dressing the Monument, Inside/Outside: Dressing the Monument, Lynden Sculpture Garden, Milwaukee, Illinois, USA
- Road Atlas. Straßenfotografie aus der DZ BANK Kunstsammlung, Stiftung Opelvillen, Rüsselsheim, Germany
- Über die Metapher des Wachstums,Frankfurter Kunstverein, Frankfurt am Main, Germany
- Dystopia, CAPC, Museum of Contemporary Art Bordeaux, Bordeaux, France
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2010
- Gwangju Biennale 2010, Gwangju, South Korea
- Portugal Arte 10, Lisbon, Portugal
- Mixed Use, Manhattan: Photography and Related Practices 1970s to the present, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
- Nachleben, Goethe Institut, New York, USA
- Filmschönheit Art & Film, Galerie Mezzanin, Vienna, Galerie Gisela Capitain, Cologne, Germany
- Middle Man, Dan Graham/Nic Guagnini/John Miller, Three’s Company, New York; Max Hans Daniel, Berlin, Germany
- SENT BY MAIL, Galerie Barbara Weiss, Berlin, Germany
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2009
- Zeigen. Eine Audiotour durch Berlin von Karin Sander, Temporäre Kunsthalle Berlin, Berlin, Germany
- Top Ten, Berlin, Germany
- Allegories, Galerie Francesca Pia, Zurich, Switzerland
- Drawings, Praz-Delavallade, Paris, France
- Cave Painting, PSM Gallery, Berlin, Germany
- Sonic Youth etc. Sensational Fix, Kunsthalle Düsseldorf, Düsseldorf, Germany; Centro de Arte Dos de Mayo, Madrid, Spain; Museion, Bozen, Italy; Malmö Konsthall, Malmö, Sweden
- Every Revolution is a Roll of the Dice, Paula Cooper Gallery, New York, USA
- Regift, curated by John Miller, Swiss Institute, New York, USA
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2008
- Group Show, Sassa Trülzsch, Berlin, Germany
- The Forces of Nature Will Rise Up to Defeat the Madman, Monya Rowe Gallery, New York, USA
- Sculpture Trail, Grieder Contemporary, Küsnacht bei Zurich, Switzerland
- Go West, Kunsthalle Krems, Krems, Austria
- The Skat Players, Vilma Gold Gallery, London, United Kingdom
- Bad Planet, Gary Tatintsian Gallery, Moscow, Russia
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2007
- The Dating Show, 3rd Ward Gallery, Brooklyn, New York, USA
- Zwischen zwei Toden, ZKM, Zentrum für Kunst und Medientechnologies, Karlsruhe, Germany
- The Happiness of Objects, The Sculpture Center, Long Island City, New York, USA
- Kitakyushu Biennial, Moji, Japan
- Forrest Dump, Shark (ex-fuel), Geneva, Switzerland
- Neointegrity!, Derek Eller Gallery, New York, USA
- Body PoliticX, Witte de With, Rotterdam, Netherlands
- Every Revolution is A Roll of the Dice, Ballroom Marfa, Marfa, Texas, USA
- Q&A, video screening, Elizabeth Dee Gallery, New York, USA
- Wolfgang von Kempelen. Mensch-[in der]-Maschine, ZKM, Zentrum für Kunst und Medientechnologies, Karlsruhe, Germany
- Abbondanza, Salvatore Ferragamo Gallery, New York, USA
- Black Noise: Every Day is Saturday, Cumberto Space, Tblisi, Georgia, USA; MAMCO, Geneva; CNEAI (Centre National de L’Estampe et de l’Imprimé), Chatou, France
- Radio Danièle, GAM/Bologna, Italy; Kunsthalle Zurich, Zurich, Switzerland
- Paul Thek: Werkschau im Kontext Zeitgenössischer Kunst, ZKM/Museum für Neue Kunst; Collection Falckenberg, Hamburg, Germany
- In Pursuit: Art on Dating, Ise Cultural Foundation, New York, USA
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2006
- Into Me/Out of Me, P.S.1 Contemporary Art Center, New York, USA; KW Institute of Contemporary Art, Berlin, Germany
- The Gold Standart, P.S.1, MoMA, New York, USA
- Periferic 7 – Focussing Iasi, Iasi, Rumania
- Dark Places, Santa Monica Museum of Art, Santa Monica, USA
- Hyperlinks for Global Dead Links, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan
- Tomorrowland: CalArts in Moving Pictures, Museum of Modern Art, New York, USA
- Something for Everyone, Babylon Kino, Berlin, Germany
- Vincule a. Politicas de la Afectividad, Estiticas del Biopoder, Medialab Madrid, Madrid, Spain
- Real vs. Unreal, Ganga International Galerie, Bogotá, Columbia
- The Bong Show: or This Is Not a Pipe, Leslie Tonkonow Artworks + Projects, New York, New York, USA
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2005
- When Humor Becomes Painful, Migros Museum für Gegenwartskunst, Zurich, Switzerland
- Go Between, Magazin 4, Vorarlberger Kunstverein, Bregenz, Austria
- Living and working in Vienna, Kunsthalle Wien, Austrian Cultural Forum, New York, USA
- Private View 1980–2000 Collection Pierre Huber, Musée cantonal des Beaux-Arts, Lausanne, Switzerland
- Kunst in Schokolade/Chocolate Art, Museum Ludwig, Cologne, Germany
- Talk to the Land, Andrew Kreps Gallery, New York, USA
- Synthesis and Distribution: Experiments in Collaboration, Pace University Galleries, New York, USA
- Superstars, Kunsthalle Wien, Vienna, Austria
- Automobilisé, Galerie Ilka Bree, Bordeaux, France
- Das Neue Europa. Kultur des Vermischens und Politik der Repräsentation, Generali Foundation, Vienna, Austria
- After All That Can Be Said, Gary Stephan, John Miller, Klaus Merkel, Galerie Kienzle & Gmeiner, Berlin, Germany
- Expérience de la durée, Biennale d’árt contemporain de Lyon 2005, Lyon, France
- Minimalist Kitsch & Visionäre Sammlung Vol. 1, Haus Konstruktiv, Zurich, Switzerland
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2004
- Writing, Images, Ideas: Walter Benjamin and the Art of Present Day, Haus am Waldsee, Berlin, Germany
- 15 Jahre Deichtorhallen, Deichtorhallen, Hamburg, Germany
- Rien ne presse 7, Mamco, Geneva, Switzerland
- The Big Nothing, ICA Philadelphia, Philadelphia, USA
- Scream, IASPIS, Stockholm, Sweden
- Made in Berlin, Art Forum, Berlin, Germany
- Body display. Performative Installation #4, Secession, Vienna, Austria
- Before the end, Le Consortium, Dijon, France
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2003
- Sandwiched, Public Art Fund, The Wrong Gallery, New York, USA
- Boogie-Woogie Wonderland, Candy Factory Projects, Akiyoshidai International Art Village, Akiyoshidai, Japan
- Gibt’s mich wirklich/Blinde wehrt Euch, Kunstsammlung im Ständehaus, Dusseldorf, Germany
- Drawings, Metro Pictures Gallery, New York, USA
- There is no Land but the Land, Meyer Riegger Galerie, Karlsruhe, Germany
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2002
- From the Observatory, Paula Cooper Gallery, New York, USA
- The Empire Strikes Back, ATM Gallery, New York, Schuermann Sammlung, K21, Dusseldorf, Germany
- 40 Jahre: Fluxus und die Folgen, Kunstsommer Wiesbaden, Kulturamt der Landeshauptstadt Wiesbaden, Wiesbaden, Germany
- In portraiture irrelevance is ugliness, Galerie Reinhard Hauff, Stuttgart and the Museum Schloß Hardenberg, Velbert, Germany
- A Country Lane, Kerstin Engholm Galerie, Vienna, Austria
-
2001
- Tele(visions), Kunsthalle Vienna, Austria
- Homes For The Soul: Micro-architecture in Medieval and Contemporary Art, Gallery 4, Henry Moore Institute, Leeds, United Kingdom
- Trade. Waren, Wege und Werte im Welthandel Heute, Fotomuseum Winterthur; Netherlands Foto Institut, Rotterdam, Netherlands
- Superman in Bed, Museum am Ostwall, Dortmund, Germany
- Ziviler Ungehorsam: Sammlung Falckenberg, Kestner Gesellschaft, Hannover, Germany
- Drawings, Galerie Biedermann, Munich, Germany
- John Miller, Pae White, Fred Wilson, Metro Pictures, New York, USA
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2000
- WIDER BILD GEGEN WART, Raum Aktueller Kunst Martin Janda, Vienna, Austria; Nieuw Internationaal Cultureel Centrum, Antwerpen, Netherlands
- Essensbilder/Bilder zum Essen, Restaurant Manzini Mitte, Berlin, Germany
- All you can eat, Galerie für Zeitgenössische Kunst, Leipzig, Germany
- American Art Today: Fantasies & Curiosities, The Art Museum at Florida International University, Miami, USA
- Group Show, Kunstraum Hans Widauer, Innsbruck, Austria
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1999
- Playtimes, Magasin-L’Ecole, Centre National d’Art Contemporain de Grenoble, Grenoble, France
- Wir leben zwischen Wänden, Kunstamt Kreuzberg / Bethanien, Berlin, Metro Pictures, New York, USA
- Bad Bad: That’s a Good Excuse, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany
- Transmute, Museum of Contemporary Art, Chicago, USA
- Art in the Age of the Consumer: Works from the collection of The Museum of Contemporary Art, Feldman Gallery, Pacific Design Center, Los Angeles, USA; Galerie Asbaek, Copenhagen
- Le Capital (Inscriptions, Tableaux, Diagrammes & Bureaux d’Ètudes), Contemporary Art Center, Sete, France
- Stadtluft. Der urbane Raum als Medium von Macht, Kunstverein in Hamburg, Hamburg, Germany
- No Place To Hang Your Hat, Galerie Johann Widauer, Innsbruck, Austria
- Malerei 05.09.–31.10.99, INIT Kunst-Halle, Berlin, Germany
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1998
- 100 Years Secession, Secession, Vienna, Austria
- Tell me a Story: Narration in Contemporary Paintings and Photography, Magasin, Centre National d’Art Contemporain, Grenoble, France
- Group Show, Raum Aktueller Kunst Martin Janda, Vienna, Austria
- Figurative Sculptures, Patrick Painter Gallery, Los Angeles, USA
- Group Show, Galerie Rizzo, Paris, France
- Fast Forward: Trademarks , Kunstverein in Hamburg, Hamburg, Germany
- Painting, Now and Forever, Pat Hearn Gallery, New York, USA
- Entropie zu Hause, Suermont Ludwig Museum, Aachen, Germany
- Songs from a Room, Meyer Riegger Galerie, Karlsruhe, Germany
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1997
- Display, The Charlottenborg Exhibition Hall, Copenhagen, Denmark
- Someone else with my fingerprints, David Zwirner Gallery, New York; Galerie Hauser & Wirth, Zurich, Switzerland; August Sander Archiv/SK Stiftung Kultur, Cologne, Germany; Kunstverein Munich, Munich, Germany; Kunsthaus Hamburg, Hamburg, Germany
- Now on View, Metro Pictures, New York, USA
- Laying Low, Kunsternes Hus, Oslo, Norway
- Eight from Ohio: In and Out of Bounds, Lancaster Festival, The Hammond Galleries, Lancaster, Ohio, USA
- 79/97, Visual Arts Gallery, School of Visual Arts, New York, USA
- At the Threshod of the Visible, Independent Curators Association, Johnson Museum of Art, Cornell, USA; University, New Jersey, USA; Meyerhoff Galleries, Maryland Institute of Art, Baltimore, USA Maryland; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Santa Monica Museum of Art, Santa Monica, California, USA; Edmonton Art Gallery, Edmonton, Alberta, Canada
- Jeopardy, Forde Galleries, Geneva, Switzerland
- Revision des Abstrakten Expressionismus: Malerei zwischen Erhabenheit und Vulgarität, Kunstverein Gütersloh, Gütersloh, Germany
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1996
- Screen, Friedrich Petzel Gallery, New York, USA
- DO IT (Home Version), Museum in Progress, Vienna, Austria
- Österreichische Triennale Fotografie, Graz, Austria
- Group Show, Metro Pictures, New York, USA
- Group Show, Sandra Gehring Gallery, New York, USA
- Comic Depictions of Sex in American Art, Galerie Andreas Binder, Munich, Germany
- Faustrecht der Freiheit, Kunstsammlung Gera; Neues Museum Weserburg, Bremen, Germany
- Intervention: Tendenzen im Schatten der Stadtplanung, Stiftung Starke, Berlin; Cabinet des Estampes, Geneva, Switzerland
- Radikale Bilder, 2. Österreichische Triennale zur Photographie 1996, Neue Galerie am Landesmuseum Joanneum, Graz, Austria
- a/ drift: Scenes from the Penetrable Culture, Center for Curatorial Studies, Bard College, New York, USA
- Group Show, Ecole Nationale Supérieure des Beaux-Arts (ENSB-A), Paris, France
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1995
- Altered State: American Art in the 90s, Forum for Contemporary Art, St. Louis Museum of Art, St. Louis, USA
- The Mutated Painting, Galerie Martina Detterer, Frankfurt am Main, Germany
- (Landschaft) mit dem Blick der 90er Jahre, Mittelrheinmuseum, Koblenz, Germany; Schloss Burg, Saale, Germany; Haus am Waldsee, Berlin, Germany
- Land Schaf(f)t, Stiftung Weimarer Klassik, Weimar, Germany
- Pittura/Immedia: Malerei in den 90er Jahren, Neue Galerie, Graz; Mucscarnoc, Palace of Art, Budapest, Hungary
- Art in Suburbia, Jeffrey Deitch Art Advisory Services, New York, USA
- The Joy of Painting, Here, New York, USA
- Pieces-Meubles, Galerie Jousse Seguin, Paris, France
- Bettenausstellung, Hotel-Pension Nürnberger Eck, Berlin, Germany
- Smells Like Vinyl, Roger Merians Gallery, New York, USA
- L’object, Villa du Parc, Annemasse, France
- Club Berlin, XLVI Biennale di Venezia, Venice, Italy
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1994
- Don’t Look Now, Thread Waxing Space, New York, USA
- The Use of Pleasure, Terrain, San Francisco, USA
- Jet Lag, Galerie Martina Detterer, Frankfurt am Main, Germany
- Suture-Phantasmen der Vollkommenheit, Salzburger Kunstverein, Salzburg, Austria
- Who chooses Who, Charity Exhibition, New Museum of Contemporary Art, New York, USA
- Sammlung Volkmann, Berlin, Germany
- Wind from the East, Künstlerhaus Bethanien, Berlin, Germany
- Up the Establishment, Sonnabend Gallery, New York, USA
- Economies Parralleles, Residence Secondaire, Paris, France
- The John Show, Galerie Sophia Ungers, Cologne, Germany
- Mapping, Museum of Modern Art, New York, USA
- Notational Photographs, Metro Pictures/Petzel Borgmann, New York, USA
- Cloaca Maxima, Museum der Stadtentwässerung, Zurich, Switzerland
- John Miller – Christina Frey, Kunsthalle Palazzo, Liestal, Switzerland
- Critical Mass, Yale University School of Art, New Haven, USA
- Temporary Translation(s): Sammlung Schürmann, Deichtorhallen Hamburg, Hamburg, Germany
- Das Jahrhundert des Multiple, Deichtorhallen Hamburg, Hamburg, Germany
- Frontiere, Galerie Bob von Oursow, Zurich, Switzerland
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1993
- Here’s Looking At Me. Autoportraits Contemporains, ELAC, Lyon, France
- The Young Americans, Galerie Sophia Ungers, Cologne, Germany
- The Uncanny, Sonsbeek '93, Geementmuseum, Arnheim, Netherlands
- Money, Nancy Drysdale Gallery, Washington D.C., USA
- The Nightshade Family, Museum Fridericianum, Kassel, Germany
- Le Bon, La Brute et la Truand…, Galerie Jousse-Seguin, Paris, France
- The Naming of Colors, White Columns, New York, USA
- Object Art: Repulsion and Desire in American Art, Whitney Museum of American Art, New York, USA
- The Rag Trade: Right off the Rack, The Inter Art Center, New York, Metro Pictures, New York, USA
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1992
- Dirty Data, Schürmann Sammlung, Ludwig Forum für Internationale Kunst, Aachen, Germany
- The Other Side, Tony Shafrazi Gallery, New York, USA
- Re: Framing Cartoons, Wexner Art Center, Ohio State University, Columbus, USA
- Group Show, Bruno Brunnet Fine Arts, Berlin, Germany
- Massverhältnisse/Standards, Galerie Sophia Ungers, Cologne, Germany
- Sommerausstellung, Schloss Plön, Schleswig-Holstein, Germany
- Live in Your Head, Heligen Kreuserhof, Akademie für angewandte Künste, Vienna, Austria
- Walter Benjamin: Grenzfall und Erwartung, (Installation in Zusammenarbeit mit dem Institut für Heuristik) Galerie Mulackstraße 22, Berlin, Germany; Oberrheinisches Dichtermuseum, Karlsruhe, Germany
- 1968, Le Consortium, Dijon, France
- Art Meets Ads, Städtische Kunsthalle Dusseldorf, Germany
- Spielhölle, Städelschule, Frankfurt; Grazer Kunstverein, Graz; Galerie Sylvana Lorenz, Paris, France
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1991
- Group Show, Galerie Isabella Kapcrzak, Cologne, Germany
- Currents, The Institute of Contemporary Art, Boston, USA
- Biennial Exhibition, Whitney Museum of American Art, New York, USA
- Anni Novanta, Museo communale d’arte contemporanea, Bologna, Italy
- Lost Illusions, Vancouver Art Gallery, Vancouver, USA
- The Lick of the Eye, Shoshanna Wayne Gallery, Los Angeles, USA
- Gulliver’s Reisen, Galerie Sophia Ungers, Cologne, Germany
- Hybrid Abstract, Ufdam Gallery, Bennington College, Bennington, USA
- Currents, Institute of Contemporary Art, Boston, USA
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1990
- Drawings, Metro Pictures, New York, USA
- The Köln Show, Galerie Sophia Ungers und Tanja Grunert, Cologne, Germany
- Re: Framing Cartoons, Loughelton Gallery, New York, USA
- Art Supplies und Utopia, Ralph Wernicke, Stuttgart, Germany
- Just Pathetic, Rosamund Felsen Gallery, Los Angeles, USA
- In the Beginning, Cleveland Center for Contemporary Art, Cleveland, USA
- Viewpoints towards the 90’s: three Artists from Metro Pictures, Part II, Seibu Galleries, Tokio, Japan
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1989
- A climate of site, Galerie Barbara Farber, Amsterdam, Netherlands
- Avant 1989, Villa Gillet-Frac Rhone-Alpes, Lyon, France
- A Good Read: The Book as Metaphor, Barbara Toll Gallery, New York, USA
- Group Show, Metro Pictures, New York, USA
- Bruges La Morte, , Bruges, Belgium
- John Miller, Gary Mirabelle, Lawrence Weiner, American Fine Arts Co., New York, USA
- Disappearences, Nathan Contemporary Arts, New York, USA
- Information, Terrain Gallery, San Francisco, USA
- Self Evidence, Los Angeles Contemporary Exhibitions, Los Angeles, USA
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1988
- syn – SERVICE, Robbin Lockett Gallery, Chicago, USA
- A 'Drawing' Show, Cable Gallery, New York, USA
- Tableux: Vivant/Morte, Installation, San Diego, Metro Pictures, New York, USA
- A Distanced Romance (Absence Makes the Heart Grow Fonder), A Distanced Romance (Absence Makes the Heart Grow Fonder), Jeffrey Neale Gallery, New York, USA
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1987
- of Ever-Ever Land i speak, STUX, New York, USA
- Art Against Aids, Metro Pictures, New York, USA
- CalArts: Skeptical Beliefs, Renaissance Society an der University of Chicago, USA; Newport Harbor Art Museum, Newport Beach, USA
- Group Show, Metro Pictures, New York, USA
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1986
- Signs of Painting, Metro Pictures, New York; Donald Young Gallery, Chicago, USA
- The Gallery Show, Exit Art, New York, USA
- Abstract Appropriation, Grey Art Gallery, New York University, New York, USA
- A New Abstraction, New City, Venice, Kalifornien, USA
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1985
- Americana, Group Material installation, Whitney Museum, New York, USA
- Group Show, Metro Pictures, New York, US
- Auto/Genetic/Photopsia, Christminster, New York, USA
- New York Art Now: Correspondences, La Foret Museum, Tokio; Tochigi Prefectural Museum of Fine Arts, Tochigi; Tazaki Hall; Espace media, Kobe, Japan
- Smart Art, Carpenter Center for the Visual Arts, Harvard University, Cambridge, United Kingdom
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1984
- Urban Confrontations, Ben Shahn Gallery, Paterson College, Wayne, New Jersey, USA
- Landscape Revisited: 12 New York Artists, West Beach Cafe, Venice, California, USA
- Group Show, Metro Pictures, New York, USA
- Drawings!, Barbara Toll Fine Arts, New York, USA
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1983
- Group Show, A & M Artworks, New York, USA
- Group Show, Hallwalls, Buffalo, New York, USA
- Art on Paper, Weatherspoon Art Gallery, University of North Carolina at Greensboro, Greensboro, USA
- Artist’s Books/Booked Art, Ysted Konstmuseum, Ysted, Sweden; Kristianstad Konstmuseum, Kristianstad, Sweden; Norrköpings Konstmuseum, Norrköpings, Sweden
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1982
- London/New York, Lisson Gallery, London, United Kingdom
- Selections, Artist Space, New York, USA
- Drawing Show, Los Angeles Contemporary Exhibitions, Los Angeles, USA
- Real Life Magazine Presents, White Columns, New York, USA
- Audio Art Sho, Zona, Florence, Italy and New York, USA
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1981
- Mudd Video 4, Mudd Club, New York, USA
- Artists Book Show, Zone, Springfield, Massachusetts, USA
- Artists Book Show, Metronom, Barcelona, Spain
- Noise Festival, White Columns, New York, USA
- Beware of the Dog!, Mudd Club, New York, USA
- Video, Anthology Film Archives, New York, USA
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1979
- 10 Künstlervideos, Los Angeles Institute of Contemporary Art, Los Angeles, USA
- Manifesto Show, 5 Bleecker Street, New York, USA
-
1978
- Short Videotapes, Anthology Film Archives, New York, USA
- Artwords and Bookworks, Los Angeles Institute of Contemporary Art, Los Angeles, USA
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1977
- Fylkingen Video Arts Festival, Stockholm, Sweden
- Athens International Film Festival, Athens, Ohio, USA